Japan TV is obsessed with TV reenactments. A lot of them are Japanese historical pieces but quite a few are foreign historical dramas. Since Japan is almost exclusively of Japanese stock there is always a demand for foreign extras and characters to play the these parts.
Now you’re probably thinking “I don’t know how to do a blue steel look!”. Well it doesn’t matter what you look like! The people that get the most work are over 50 because most people in the industry are 20 something and everyone over 50 in Japan is a banker or something. They want all sizes, it doesn’t matter what you look like.
It can be an interesting job but while gigs pay well, you’re not going to make lots of money off it. Two main obstacles block the money train:
A) Japanese talent agencies; Japanese agencies have a stranglehold on the entertainment industry and unlike the West where the agent works for the talent here in Japan the talent work for the agencies. They take anywhere from 50-90% of the money the studios pay, if they pay you at all. They even scam the audition process bringing as many people as possible as they are paid per person, money you will never receive.
B) Supply and demand; Economics would dictate that a lack of foreign faces would allow model/extra workers to demand a bigger share but to the Japanese all foreign faces look the same and there are always new people who are willing to work for very little just to be part of the process.
There are two type of jobs the bread and bacon extra work and the commercial headline jobs. The extra work is you just being a foreign face in the background and that pays around 15,000YEN a day. Headline jobs are when you are the main face and they will pay around the 150,000YEN range depending on the length of the spot, face time, etc…
It is possible to make money doing talent work but there is the start up issue. Most agencies have at least a 2 month waiting period to get paid. Some don’t pay out for as long as six months. So for the first few months its necessary to have some saving or zero costs and someone supporting you. Then there will be times were you won’t get any work and then when you do you have to wait for a couple months to get paid. Vicious cycle.
While there isn’t much money its not like you’re expected to do any work. Most jobs just have you wait the whole day for a few minutes work. I just did a role where I was a Russian soldier during the 1900 Boxer Rebellion. They shipped me up to the country put me in a hotel and then the next day I spent 7:00AM to 4:00 PM waiting around in costume with about 20 other soldiers. My scene took about 5min to shoot and then we went home. It goes the other way too I’ve also been on other jobs where I get paid the same fee as everybody but I arrive at 9:00AM and then at 9:30AM I could go home. If you have a lot of free time there are a lot of travel jobs too. To get around expensive American labour laws, where they actually pay the actor a decent salary, Japanese studios ship out people to Hawaii or America to film a commercial or drama.
There are a number of number of agencies in Japan including:
While GroupEcho has some commercial work they mostly specialize in movie extra jobs. Think occupying American soldiers who brutalize a poor Japanese population.
Confusing as they agency sounds like Group Echo but they are two different companies.
Phone Number: 03 5457 3544
IMO is infamous in the extra community as they are a dirty, dirty agency who will not pay you unless you are on their case ALL the time. They are one of the oldest and supposedly have deep Yakuza contacts. They have a core group of talent that they treat well and send to all their other jobs but when they need more faces they send out a bunch of new people and then don’t pay them. These new people eventually get angry or give up which isn’t a problem because there is always a new sucker.
The thing is they have lots of work and as long as you keep meticulous records they will eventually pay you but you’ll have to fight for it. To show how shady they are they refuse to email or text you any information and do all their communication over the phone so that there is no record of anything they say.
Nishi Azabu 1-6-6
Take exit 2 from the Hibya Roppongi Station. Walk straight down the
street and past one light.
Eventually you will see a blue building called the A-Life building
turn right after the building.
Walk down the side street and on the right you will see a building
with a tree in front and huge
dog in the garage.
A lot of agency startups are actual IMO staff you have had enough of jerking around their models and set off on their own. Avocado is one of these companies whose owners used to work for IMO. There are now a highly respectable company doing it right. Another start-up from former IMO staff is ECHO. Not to be confused with Group Echo.
#401 6-33-7 JINGUMAE
3-40-3 JS bld. , Shibuya ku, Jingu mae, Tokyo Japan
Nearest station : Gaien mae sta. (Sub. Ginza Line) 5 min. walk
DXIM Miyazaki Bldg. #305
In November of 2011 Freewave was hit by a scandal when one of its talent was arrested falsifying their VISA. It was through no fault of their own but since then they are very strict about who they will put on their books only choosing those with impeccable VISA status.
Lazaris is a pretty cool place and Hiro, one of the gaijin herders, is a nice guy.
To get registered, please contact them at 03-5775-6125
They only take appointments by phone call on first come and first-served basis.
The registration hours are from 12:00 to 18:00, Monday through Friday.
R & A
Walking into the place is like walking into Sopranos. These guys may not look like agents but they can give you some good jobs.
Right Beside K&M agency
ISOP are notorious for being … well crazy. Ever since Steve left no one there seems to have a handle on just what is going on with their talent. Often they just send their whole talent pool to every job. So you take the time to go to their auditions but then find out as a white man that you were sent to an audition for Chinese speaking children. It has happened before. But they do get a lot of work and with a small staff ,while they are crazy, they give you individual attention. But most of their jobs are also sent out to other agencies. When I get a call from ISOP I just ignore it and wait for another agency to call me about the same job. If no one calls then I return the ISOP call.
Isop Company Ltd
Imperial, Room 317 Chiyoda Line All ages
Akasaka, Ichibankan Nogizaka Registration Fee: None
8-13-19 Akasaka (7 min. walk)
Minato-ku, Tokyo 107
firstname.lastname@example.org in harajuku
ZENITH INC. multi-management
TEL 03-5411-7747 FAX03-5411-2527
1-19-13-402 JINGUMAE SHIBUYA-KU
TOKYO JAPAN ZIP 150-0001
|UPDATE – November 2011 – Victoria is MIA and is probably defunct|
Victoria Star Promotion Co., Ltd.
Softtown Negishi Nibankan 604, 18-32
Phone : 03-5411-7767
e-Mail : email@example.com
Addess : 3-15-22-1F NISHIAZABU MINATOKU TOKYO 160-0031 JAPAN
What to bring to the agency
The agency will most likely ask for you to have your gaijin card so they can check your VISA status. You should also bring some good pictures of yourself. Pictures where you are the only person in the shot preferably with a white background. When you go to the agency they will take additional pictures so dress to impress and be early!
For other “How to … in Japan” guides, try these:
|How to survive getting arrested in Japan||How to cycle in Japan||Getting the around the Japanese health care system||Making Friends in Japan||How not to be a hostess|